The Library of Nineteenth-Century Photography

 
 
 
Abraham Cooper

Abraham Cooper


A carte-de-visite portrait of the British artist Abraham Cooper (1787-1868), remembered for his battle scenes and his portraits of animals.

The son of a tobacconist, he was born in London in 1787. At the age of thirteen he became an employee at Astley's Amphitheatre, and was afterwards groomed in the service of Sir Henry Meux. When he was twenty-two, wishing to possess a portrait of a favourite horse under his care, he bought a manual of painting, learned something of the use of oil-colours, and painted the picture on a canvas hung against the stable wall. His master bought it and encouraged him to continue in his efforts. He accordingly began to copy prints of horses, and was introduced to Benjamin Marshall, the animal painter, who took him into his studio, and seems to have introduced him to the Sporting Magazine, an illustrated periodical to which he was himself a contributor.

In 1814 he exhibited his Tam O'Shanter, and in 1816 he won a prize for his Battle of Ligny. In 1817 he exhibited his Battle of Marston Moor and was made associate of the Academy, and in 1820 he was elected Academician. Cooper, although ill-educated, was a clever and conscientious artist. His colouring was somewhat flat and dead, but he was a master of equine portraiture and anatomy, and had some antiquarian knowledge. He had a special fondness for Cavalier and Roundhead pictures.

Photographed by Maull and Polyblank of London

 

Code: 125625
 
  Back           Home Contact   
           Search
© Paul Frecker 2018